Upcoming Exhibitions

Ashley White

Water, Fiber, Form: Stories of Black Hair

Water, Fiber, Form: Stories of Black Hair is a mixed-media exhibition that explores the intersections of material, memory, and identity through textiles, ceramics, and collage. Rooted in Black hairstyling traditions, the work reimagines hair as a fiber art, positioning braiding, weaving, and adornment within the lineage of contemporary craft. Water functions as both material and metaphor, shaping form while reflecting transformation, resilience, and continuity. Through large-scale textile installations, woven hair tapestries, and ceramic vessels that hold, anchor, and expand fiber, the exhibition creates a layered environment where structure and movement coexist. Collage works extend this narrative, assembling fragments of image, pattern, and texture into visual stories of cultural memory and self-definition. Together, these works challenge conventional hierarchies of craft and art, honoring the labor, ritual, and innovation embedded in everyday practices while inviting viewers to reconsider what is seen, valued, and preserved.

Tara Youngborg

Abandonware [houses]

The New Castle and Frenchtown Railroad (NCFRR) was one of the first railroads in the United States. The railroad only operated for 28 years; as newer, more direct railways were built, the New Castle and Frenchtown Railroad was abandoned, and then without a commercial artery, the town of Frenchtown was also deserted. This obsolescence of the railroad and town is analogous to digital technological loss in its root in the movement of capital and technological change. In this exhibition, Youngborg engages with the town’s archive in conjunction with contemporary data to try and recreate a ghost without its community. Through glitch, loss, and (visual and sonic) layering, the sound and video installation questions the role of data, archives, and recreation in understanding place, loss and memory.

Rick Bach

CUT

This new body of work is about strength and resilience working from nature with unnatural materials. Painting with fire. Plasma cut enameled steel is cut into thousands of shards, destroying the material’s strength. The shards are then composed as objects regaining their strength both structurally and aesthetically, while exploring the beauty of creation, destruction, and rebirth. The work is both made and unmade. Built with intention but open to interpretation.