Newly Selected Curator: Adam Odomore

Newly Selected Curator: Adam Odomore

Adam Odomore
To Harvest a Dream Buried in Dust—On Care and Blackness
September 2–October 1, 2023

In this group exhibition, curator, Adam Odomore, aims to center and provide space and opportunities for reimagination and interrogation of care as it relates to Black bodies in the built environment. Located at the intersection of race and gender equality, artists from the African Diaspora provide a space for healing and rest within the larger context of a patriarchal, capitalist, white-supremacist, imperialist world.

Thus, by imagining, creating, and beholding moments of care, tenderness, vulnerability, and rest, we create safe spaces to rebuild and explore new possibilities. Sometimes what we think is impossible now is not impossible in another decade.

Allowing for a safe space where we can all learn to be more honest and truthful with ourselves, it is the hope that passive viewers, through engagement with the works on view, will be transformed to active participants who will begin to ask themselves, What does my divine identity look like for me?—while asking ourselves what we need and why—What does care look like for each of us?

About the curator:

Exploring the limits of the human experience in its depictions of bodies as lived vessels, as well as the issues at stake when the body is signified as a vessel, this exhibit is about reimagining a way to locate and make visibly tangible modes and expressions that make up the quiet/quotidian acts of refusal when the body is seen as a site/symbol and representation of physical and spiritual nourishment, a messenger linking the present to ancestral memories, and a guide to our own self-examination and self-care.

The exhibit aims to use Afro-diasporic art to help us imagine a world that reveals the “expressiveness of quiet . . . and the quotidian reclamations of interiority, dignity, and refusal marshaled by black subjects in their persistent striving for futurity.” Manifested in “a desire to live a future that is now, because of the precarity of black quotidian life wherein tomorrow is fleeting and often too risky to wait for or imagine” (Tina M. Campt). Thus, by creating and beholding moments of care, tenderness, vulnerability, and rest, we create safe spaces to rebuild and explore new possibilities.

Newly Selected Artists-Magdolene Dykstra

Magdolene Dykstra
In the shadow of empire
August 5–August 27, 2023

This exhibition investigates a key component of the architectural language of empire. Columns convey the hierarchical nature of the socio-political structure they represent. Rather than conveying a sense of stability and power, Dykstra’s interpretations are tenuous. The series of drawings feature columns that balance unsettlingly close to the horizon’s edge. Their long shadows are a nod to the question posed by Grace Lee Boggs & Jimmy Boggs: “What time is it on the clock of the world?” In the sculptural interpretations, Dykstra uses an aesthetic of microbiology to visualize the multiplicity of the human species. Composed of unfired clay & mixed media, these structures are impermanent, ready to be deconstructed and reconfigured. Do these accretive forms support the fragile sub-structure or threaten it with its mass? In contrast to viewing impending collapse as a negative end, Dykstra views collapse as a necessary step toward accessing the potential for transformation. This exhibition asks: how can we cannibalize the remnants of our falling empires to create more sustainable systems that shift away from hierarchical relations?

About the artist:

Magdolene Dykstra is an artist and educator. Working in sculpture, installation, and mark-making, Dykstra’s practice focuses on exploring the tension between individuality and multiplicity, impermanence and the embedded potential for transformation, visibility and anonymity. Her methodology centers around repetitive actions that lead to an accumulation of small components within intricate, shifting ecosystems using materials that embody a relationship with the Earth, its forms, and processes. After studying biology and visual arts in undergraduate degrees, she received her MFA from Virginia Commonwealth University. Magdolene has been awarded several grants from the Ontario Arts Council and the Canada Council for the Arts. Notable exhibitions include site-specific installations at the Gardiner Museum (Toronto, ON) and the Canadian Clay and Glass Gallery (Waterloo, ON), as well as solo exhibitions at the Jane Hartsook Gallery (New York, NY) and A-B Projects (Los Angeles, CA).

Newly Selected Artists-Emily Francisco

Emily Francisco
A Brief Study of Time
August 5–August 27, 2023

The present does not depend on a notion of duration, because of the relativity and volatility it possesses. It exists only in the now and never begins or ends.
The beginning of the present is located in the idealized future, that immediately turns into the now, and then vanishing into the past. The Present is relative, volatile and unattainable.
This explains its non-existence. – C. M. Lawrence

A Brief Study of Time attempts to measure the present moment in flawed increments. Constructed around a malfunctioning West German pendulum clock, the concept of time is presented and amplified through imperfect and irregular sequences–looping sound and light with elements triggered by movement and interaction with objects within the space. Responding to C. M. Lawrence’s essay of the same name.

About the artist:

Emily is a sculptress utilizing disrupted signal flow, cheap consumer technologies, and discarded obsolete devices. Her work largely deals with fragmented time. Born in Honolulu, raised in Missouri’s lead belt, educated in St. Louis and the District of Columbia–her exhibition record includes Rhizome DC, Transformer, Area 405, GlogauAIR Project Space, Vilnius Academy of Arts, The John F. Kennedy Center, and the Hirshhorn Museum and Sculpture Garden. Her work has been reviewed in The Washington Post and Hyperallergic, and she has discussed her work at the Smithsonian Museum of American Art. Emily currently maintains a studio at STABLE Arts and works as the AV administrator for a massive federal art institution to support her kid and their furry friends. Emily is also an adjunct professorial lecturer at American University.

Newly Selected Artists-Katherine Burling

Katherine Burling
Slip Quietly Into My Arms
August 5–August 27, 2023

Slip Quietly Into My Arms presents a selection of multimedia works on paper which imagine a world in which humankind, rather than Nature, plays Master Engineer. In this colorful reverie, Nature is no longer capable of properly sustaining itself, and humans intervene with mechanical, spiritual and fantastical solutions. From this idea, dystopian machines spring forth; machines without which plants cannot grow. Actors take the stage, playing roles not meant for them. The work is often set in gardens, mechanical or not, which play various roles: the fantastical landscape, the futile garden, or the hortus conclusus (enclosed garden). Unlike its medieval namesake, however, this hortus conclusus conceals hidden dangers, and the illusion of safety is pierced. The language of sentiment and kitsch is at play, and it intersects in curious ways with the animals; sentiment and violence are compressed into the same plane, an echo of our relationship with the natural world.

About the artist:

Katherine Burling is an artist based in Charottesville, Virginia. Burling holds an MFA from James Madison University. Her practice incorporates a love of material culture, the decorative arts, and vernacular artists. She is inspired by feelings of loss and chaos, oftentimes personal as well as social, ecological and political. Her most recent work imagines gardens which cannot grow without human intervention, and the futility of our haphazard meddling with nature.

Newly Selected Artists-WaPo: David Allen Harris and Lyric Prince Harris

WaPo: David Allen Harris and Lyric Prince Harris
Three Sisters
July 8–July 30, 2023

Over the course of the Wa PaPo project, photographer David Allen Harris and interdisciplinary artist Lyric Prince experimented with set design and patterns, along with other elements that can symbolize different ideas, feelings, and modes of expression that tell a story. For the Three Sisters series, they show the set and the storyboard on how a new sort of Earth was created from the old:

The Earth of old had passed away
And all around was death and decay
The eldest, Usir, looked around with a sigh
And from the twinkle of tears in her eyes
Clear streams of water and air thus flowed
And another sort of ground started to grow
The two other spirits watched on with glee
As the new sort of Earth came slowly to be
And while not perfect, it was still true
“The Earth, when broken
Can be easier made anew.”

About the artists:

David Allen Harris and Lyric Prince Harris have been working together in artistic partnership since 2016. They are interested in telling stories that reflect their ancestry in Africa as well as their established roots in America. Also, they are interested in exploring the spell of the sensuous and how body and color can combine to create stories with or without words.

Throughout their careers, they have worked with expanding the limits of both storytelling and the artistic mediums of photography and installation art. Their project, Wa PaPo, has so far received a solo show in Oakland, CA, in 2022, as well as being accepted in the DC Arts Bank collection in 2021. Individually, they have shown at the Hampton Museum of Fine Art, Susquehanna Art Museum, Maryland Federation of the Arts, African American Museum of Philadelphia, and the National Museum of African American History and Culture.

They currently live and work in Washington, DC, and Berkeley, CA.