Upcoming Exhibitions

March 7 – 29, 2026

Esha Sadr
Absence of Us

Absence of Us is an interdisciplinary, long-term project that transforms used garments into narratives of memory, identity, and resilience. Esha Sadr reconsiders clothing not merely as a consumer product, but as a second skin—objects that carry personal histories and traces of absent bodies. The exhibition explores her experience as an immigrant, present in the U.S. while absent from her home country.

The work unfolds in four parts. A large hand-sewn installation forms a human-geographical map of garments donated by immigrants. Mixed-media sculptural works on canvas preserve fabrics in resin, bronze, gold leaf, and orchid flowers. A circle of raw materials invites visitors to contribute garments for future transformation. Video works layer participants’ voices, connecting intimate stories to broader narratives of migration, displacement, and social freedoms.

Through Absence of Us, viewers are invited to reflect on what we carry, what we leave behind, and what endures, transforming everyday clothing into lasting monuments of memory and identity.

Natasha Sachdeva
Moments of Transition

In a deeply personal inquiry, Moments of Transition unveils Natasha Sachdeva’s layered engagement with the realities of growing up and living within a middle-class family in New Delhi, India. What begins as an inward process of self-discovery and introspection gradually expands into a broader commentary on the ways in which society defines, regulates, and confines women’s bodies—situated within a South Asian context, yet resonant on a universal scale. Her figures—often voluminous, unposed, distorted, and unapologetically raw—challenge conventional ideals of beauty and grace, dismantling ingrained expectations of restraint, decorum, and conformity. Through these forms, the artist asserts an unequivocal right to joy, sensuality, and self-expression at every stage of a woman’s life.

As the works question tradition, expectation, and autonomy, they also probe the cultural codes that shape gendered experience. Natasha situates her practice within a collective framework, drawing inspiration from mothers, friends, and fellow artists whose everyday negotiations of identity, agency, and belonging mirror and amplify her own.

Abol Bahadori
Hybrid Baroque

We view the world through our eyes, limited by a narrow color spectrum and depth of vision. But what if we had compound eyes like insects, sonar like dolphins, and used other senses to enhance our vision? In his exhibition Hybrid Baroque, Bahadori explores new sensoria by abstracting and recomposing elements of nature, architectural structures, and human figures. 

Inspired by Western Baroque architecture and music, and the rich traditions of Eastern miniatures, the works in this exhibition combine grandeur and movement to evoke a feeling of awe by blending abstract color fields with recognizable elements. Bahadori invites the viewers to visualize the world through a prism of broken objects and grids.