Marcel Taylor

Marcel Taylor

Unapologetic
November 2- December 1, 2024

Marcel Taylor’s Unapologetic presents a powerful counter-narrative to the often reductive portrayals of Black culture in popular media. His work not only critiques the sensationalism in the media but also reclaims space for dignity and strength within Black narratives. Through works like “Elegance Personified,” Taylor elevates Black womanhood, emphasizing confidence and refinement over hyper sexualization. This portrayal invites viewers to see the subject not just through the lens of societal stereotypes but as a multifaceted individual of dignity. 

The themes of fortitude and identity are further explored in pieces like “Skeptical Eyes” and “Cynical Mood,” where the invisible face “masks” symbolize the double consciousness described by W.E.B. Du Bois. These works highlight the internal struggles faced by individuals who must navigate a world that often misrepresents them.

In “Entangled Souls,” the protective costumes inspired by traditional African art serve both as armor against societal judgments and as a celebration of cultural heritage. The patterns evoke a sense of superhero strength, reinforcing the idea that these individuals possess an inner resilience that challenges the dominant narratives.



Joana Stillwell

Travel Lightly
November 2- December 1, 2024

In her exhibition Travel Lightly, Joana Stillwell uses personal and found correspondences to inform this series of ephemeral works. The exhibition is a meditation on data, feelings, and touch that examines the tools we use to communicate and the subsequent records we create online and physically.

Melissa Dorn

Fem-utility Closet
October 6- 27, 2024

Fem-utility Closet offers you the time and space to fully feel, engage, and contemplate the world you’ve entered, potentially evoking a sense of wonder and delight. As you get closer to the objects and materials, you may begin to think about the everydayness of what is around you and the labor, most often unseen, that goes into our everyday existence. Melissa Dorn is particularly interested in how mops, feminism,
craft, and labor intertwine. Her obsession with industrial mops spurred a love of repeating textures, lines, and historically gendered craft processes. She started with the personal: painting self-portraits focusing on the “moppiness” of her hair. Now, Dorn wants to create space for maintenance. She defines maintenance as caring for oneself and one’s community, a necessity, not a frill. In her exhibition Fem-utility Closet, she invites you to rest on the ottowomen and take in the humor and absurdity of your surroundings.

Ana Maria Farina and Hanna Washburn

The Animal Within the Animal
October 6- 27, 2024

Ana Maria Farina and Hanna Washburn present The Animal Within the Animal, a vibrant visual conversation that shares the many ways their practices intertwine. Both artists are mothers who use materials associated with the home and femininity to communicate the power and expansiveness of the body. Their distinct visual styles meld to create a collaborative tale, narrating complex corporeal joys and burdens. The works fuse imagery of the body with creatures, highlighting the mammal inside each of us. Plush, comforting textures and familiar domestic patterns
come together to create hybrid forms, simultaneously maternal, familiar, and uncanny. Play is key to this collaboration—exploration and humor exist alongside the weightiness of the subject matter. Everything in the exhibition is in the process of growing and changing: lengthening forms and limbs, reaching out toward a shared understanding. In The Animal Within the Animal, Farina and Washburn create new bodies that are free to be concurrently nurturing, seductive, strange, and distinctly autonomous.

Sarah Reagan

The Kid’s Are Talking
October 5- 27, 2024

Crafted from wood and accented with digital and bioplastic components, The Kids are Talking asserts that contemporary identity, experimentation, and gender deviation are as valuable —’as classic’—as the masterpieces we idolize. This body of work reimagines three iconic images: The Creation of Adam, The Birth of Venus, and David, by evoking the wondrous anarchy of childhood. Using a combination of traditional craft methodologies with modern technology, Reagan challenges the hierarchy of materials and methods. This fusion allows for a dialogue between the past and the present, the rigid and the flexible, the serious and the silly, ultimately questioning what and who is considered ‘worth listening to’ in art and society.